And on Well … All Right he played only his cymbals, underscoring the mood of wistful teenage reverie. On the song Not Fade Away (which he claimed to have co-written, although the credit went to Holly and Petty) he played on a cardboard box to create a lightweight version of the celebrated Bo Diddley beat. In those early days, when he was still in his teens, Allison was always ready to try something unorthodox. Released under Holly’s name, it was distinguished not just by the singer’s hiccuping delivery but by the galloping rhythm of Allison’s muffled tom-toms, rendered more exotic by a brainwave of Norman Petty, the producer, who turned the echo chamber on and off every few bars to create a startlingly unusual drum sound. Peggy Sue had first been titled Cindy Lou, borrowing the name of Holly’s niece, but was renamed at Allison’s request after Peggy Sue Gerron, his on-off girlfriend, whom he was trying to win back. A year later Holly left the group to pursue a solo career, and in 1959 he was killed in a plane crash, but his name and that of the group remain inextricably linked through such hits as Peggy Sue, Well … All Right and Think It Over, all of which Allison co-wrote. He had co-written it with Buddy Holly, their bespectacled singer and lead guitarist.
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That was back in a distant time when Dwight D Eisenhower was just starting his second term as president of the US.Īllison, who has died aged 82, was the drummer with the Crickets, who became known around the world in 1957, when their song That’ll Be the Day became one of the defining hits of the first rock’n’roll era.
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Whenever three or four kids get together with an electric guitar or two, a bass and a drum kit and decide to write their own songs, whether they decide to call themselves the Beatles, the Ramones, Nirvana or something that they’re still arguing about, they are essentially following a template laid down by Jerry Allison and his friends in the city of Lubbock, Texas.